Hip Catch

A compression pattern where the follower's forward travel is caught at the leader's hip instead of in the hands — the follower arrives beside the leader, is caught in a brief side-by-side compression, and rebounds back down the slot.

Lives in the same connection family as the sugar push (extension → compression → extension) but with the catch displaced to the side, which reads beautifully on slow, bluesy songs. A common musicality tool for marking a pause or drop in the music.

Common notes

• Hip catches showcase one of WCS's signature ideas: connection points beyond the hands — forearm, tricep, hips, bottom of the ribs — with the follower always filling the space that's offered.¹
• Filipe de Barros rolls in like a left side pass, arriving with the forearm at the follower's waist, and recommends catching on the bony part of the hip rather than the ribs or the fleshy part.²
• The connection is two-way: the follower gives the weight of the hip into the leader's hand, then waits — reading the lead's energy rather than pre-empting the exit.³
• Standard exits include spinning the follower out, redirecting to a catch on the other hip, or rising into a tuck.⁴