Revision 3

The sugar push is usually the first pattern taught in West Coast Swing, and many dancers argue it stays the hardest to do well for your entire dancing life.

The shape

A 6-count pattern danced in the slot. The follower travels toward the leader, reaches a two-hand (or one-hand) compression, and returns to roughly where they started. Unlike most WCS patterns, the follower does not pass the leader.

• 1–2: follower walks forward toward the leader (walk, walk)
• 3&4: follower arrives with a triple, connection compresses ("catch")
• 5&6: anchor step — both partners settle away from each other and re-establish leverage

What it teaches

The sugar push is the purest expression of WCS elastic connection: extension into compression into extension. Commonly taught points include keeping the arms relaxed so the connection moves your body (not your shoulders), and letting the compression on 3&4 come from body positioning rather than pushing with the hands. Despite the name, there is no actual push: Thibault and Nicole Ramirez teach it as absorbing the follower's energy and sending it back out, warning that "sugar push is a little bit of a misnomer — we don't actually want to push our partners."¹ Brian B teaches the same idea with a roller-skates image: if the follower were on skates, they would roll in until the connection stopped them, and roll back out only when sent.²

Common variations

The skeleton stays the same across handholds — list the variant in a clip's note when you spot one:

• Two-hand — both hands connected; the most common classroom version, with compression split across both arms.
• Right-to-left (standard one-hand) — leader's left to follower's right; frees a hand for styling and hand changes.
• Right-to-right (handshake) — sets up tucks, hand changes behind the back, and crossed-hand shapes.
• Left-to-left — less common; usually a deliberate setup for a specific next pattern.
• One-hand with resistance styling, no-hands (body-lead) push — advanced connection play on the same geometry.

Naming

Widely also called the push break, especially in scenes with roots in East Coast Swing pedagogy. Both names are heard at every event; neither is wrong. The "sugar" traces back to Lindy Hop: strictly, a sugar push includes a sugar foot — a follower swivel on the way in — and the swivel-free version is technically a push break, named for the leader breaking away to open position. Over the years the distinction eroded and the two names now describe the same pattern.³